I’m guessing you’ve seen this photo before. It was taken by Dorothea Lange during the Great Depression, and has come to represent much about that era:
I saw this picture over the weekend at the Nelson-Atkins art museum in Kansas City, Mo. (It’s a terrific institution, by the way.) It was part of a broader exhibit highlighting the Depression-era work of Lange and other photographers, Walker Evans, Arthur Rothstein, Marion Post Wolcott and Peter Sekaer.
It was stunning. It was, in fact, difficult emotional work. One of these photos is a powerful document. Dozens of them tell a story, immerse you, make it difficult to leave these lives in the past.
A couple of quick observations.
• Here’s another Lange photo from the era. My only thought: “The past isn’t dead. It isn’t even past.”
Oh, how we hate poor people in this country.
• These pictures were taken all within the lifetimes of my grandparents. It’s both forever ago and just that close. The conditions that millions of Americans were living in — in makeshift shacks, built from mud or items rummaged from the trash, or simply not having enough to eat an being required to flee across the country in hopes they’d find some way to make a living — are those we associate, in modern America, with “third world countries or with pre-modern ways of living in our own. Truth is: What we think of us civilization — of a largely middle-class society, anyway — is both recent and fragile.
• This may be a weird response, but these photographs made me angrier yet about McCarthyism.
Let me explain.
If you were a person surviving the 1930s, bearing witness to what was going on around you — but not privy, at this point, to the destruction of Russian life under Stalin — it seems really easy me to see why a black person or a poor person in that era might’ve embraced, for a time, Communism. It makes all the sense in the world! To be judged for such conclusions by Cold Warriors — to lose or risk losing one’s livelihood in the 1950s because one got tired of all the poverty and oppression in the 1930s — is just … ugly.
• Finally, I’m reminded of the importance of bearing witness. To see what’s going on around you is difficult, sometimes. To document it — honestly and unflinchingly — is to increase the potential for a healthy response. God bless the people who do such work.
The “Dignity and Despair” exhibition runs through Nov. 26. Anybody in the Kansas City area between now and then would do well to see it for themselves.
[…] everything from Depression-era photographers to Napoleonic-era art. I featured the photography in a SixOh6 post earlier this […]